We both understood that. CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. "Oh! that I could live to see it," gasped Jonathan. You deal with her. Now there is none. "Spare him!" cried Mrs, Sheppard, who fancied she had made some impression on the obdurate breast of the thief-taker,—"spare him! and I will forgive you, will thank you, bless you. The women, Ann Veronica thought, were not quite so interesting as the men. “What ought she to do?” “Suppose you—” “Yes, suppose I—” He felt that his advice was being asked. “Mary Lucia. E. She had trembled on the verge of such a resolution before, but this time quite definitely she made it. There were two school-mistresses, one of whom—Miss Klegg—might have been a first cousin to Miss Miniver, she had so many Miniver traits; there was a preoccupied girl whose name Ann Veronica never learned, but who worked remarkably well; and Miss Garvice, who began by attracting her very greatly— she moved so beautifully—and ended by giving her the impression that moving beautifully was the beginning and end of her being. ‘I don’t propose doing anything with you. It seemed at first the most beautiful afternoon of all time to her, and perhaps the thrill of her excitement did add a distinctive and culminating keenness to the day.
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